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    {
      "alias": "staytime-higher",
      "basis": "Same original Suno recording URL; Foundation and runtime retain the full-title ID.",
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      "endpoint": "https://coriumrecords.com/data/agent/works/staytime-enrich-it-higher.json",
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      "basis": "Same legacy zones audio-trace path; Foundation four-track manifest repair and runtime retain the full-title ID.",
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      "endpoint": "https://coriumrecords.com/data/agent/works/staytime-difficult-to-return-zones.json",
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      "agent_summary": "Christinium is Corium Records Foundation band #1, an Anti-Nuclear Hyperpop project. centered on Christinium; defined by anti_prestige_ridicule, body_dose_burden, technical_language_as_culture. Raised in the greater Philadelphia donor-class world and shaped by the after-hours machinery of Washington, D.C., Christinium turns beauty culture, high society, and nuclear symbolism into pop spectacle.",
      "aliases": [],
      "description": "Raised in the greater Philadelphia donor-class world and shaped by the after-hours machinery of Washington, D.C., Christinium turns beauty culture, high society, and nuclear symbolism into pop spectacle. Through songs like \"Meltdown Queen\" and \"Clean Girl,\" she performs the fantasy until the glamour becomes the accusation.",
      "endpoints": {
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        "html": "https://coriumrecords.com/agents/bands/christinium.html",
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        "legacy_catalog": "https://coriumrecords.com/catalog/bands/christinium.json",
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      },
      "genre": "Anti-Nuclear Hyperpop",
      "id": "christinium",
      "lead_persona": "Christinium",
      "name": "Christinium",
      "origin": null,
      "slot": 1,
      "sources": [
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        "/catalog/bands/christinium.json"
      ],
      "subtitle": null,
      "tags": [
        "anti_prestige_ridicule",
        "body_dose_burden",
        "technical_language_as_culture",
        "female_fronted_accessibility",
        "spiritual_mythic_layer"
      ],
      "work_ids": [
        "christinium-clean",
        "christinium-medusa",
        "christinium-melt"
      ]
    },
    {
      "agent_summary": "Daughterline is Corium Records Foundation band #2, an Anti-Nuclear Daughter Pop project. It is rooted in Loomis, California; centered on Annie Actinide; defined by waste_custody, water_land_systems, place_burden. Fronted by Annie Actinide, the project traces a line from Rancho Seco to Vallejo, from family collapse to ocean grief, from Fukushima to the vanished marine biologist who first taught Annie to hear the Pacific.",
      "aliases": [],
      "description": "Fronted by Annie Actinide, the project traces a line from Rancho Seco to Vallejo, from family collapse to ocean grief, from Fukushima to the vanished marine biologist who first taught Annie to hear the Pacific as evidence. Daughterline turns dry-cask romance, coastal loss, isotope memory, and nuclear-age absurdity into sweet, wounded pop songs that keep glowing after they end.",
      "endpoints": {
        "biography": "https://art.coriumrecords.com/CoriumDiscography/daughterline/bio.md",
        "html": "https://coriumrecords.com/agents/bands/daughterline.html",
        "json": "https://coriumrecords.com/data/agent/bands/daughterline.json",
        "legacy_catalog": "https://coriumrecords.com/catalog/bands/daughterline.json",
        "persona": "https://coriumrecords.com/data/bands/daughterline/persona_attributes.json"
      },
      "genre": "Anti-Nuclear Daughter Pop",
      "id": "daughterline",
      "lead_persona": "Annie Actinide",
      "name": "Daughterline",
      "origin": "Loomis, California",
      "slot": 2,
      "sources": [
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        "/catalog/bands/daughterline.json",
        "/data/band-scenes/daughterline.json"
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      "subtitle": null,
      "tags": [
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        "water_land_systems",
        "place_burden",
        "female_fronted_accessibility",
        "recovery_testimony"
      ],
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      "work_ids": [
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        "daughterline-birdie",
        "daughterline-crazy",
        "daughterline-every",
        "daughterline-fuk",
        "daughterline-kissed",
        "daughterline-moon",
        "daughterline-waste"
      ]
    },
    {
      "agent_summary": "Confined to Decay is Corium Records Foundation band #3, an Anti-Nuclear Alternative Rock project. centered on Liz Threshold; defined by technical_language_as_culture, place_burden, body_dose_burden. Confined to Decay is an anti-nuclear industrial/electronic band led by Liz Threshold, a 25-year-old vocalist from southern Ohio whose life was shaped by the fallout of the weapons.",
      "aliases": [],
      "description": "Confined to Decay is an anti-nuclear industrial/electronic band led by Liz Threshold, a 25-year-old vocalist from southern Ohio whose life was shaped by the fallout of the weapons complex near Portsmouth. After losing her father, a plant worker, to a rare cancer as a child, and later losing her mother at 17, Liz pursued nuclear engineering not out of belief, but to understand the system that had already taken so much from her family.",
      "endpoints": {
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        "html": "https://coriumrecords.com/agents/bands/confinedtodecay.html",
        "json": "https://coriumrecords.com/data/agent/bands/confinedtodecay.json",
        "legacy_catalog": "https://coriumrecords.com/catalog/bands/confinedtodecay.json",
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      "genre": "Anti-Nuclear Alternative Rock",
      "id": "confinedtodecay",
      "lead_persona": "Liz Threshold",
      "name": "Confined to Decay",
      "origin": null,
      "slot": 3,
      "sources": [
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      "subtitle": null,
      "tags": [
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        "place_burden",
        "body_dose_burden",
        "female_fronted_accessibility",
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      "work_ids": [
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        "confinedtodecay-sustainable",
        "confinedtodecay-critical-until-i-m-not",
        "confinedtodecay-failed-nuclear-priesthood",
        "confinedtodecay-channeling-alvin-weinburg",
        "confinedtodecay-vitrification",
        "confinedtodecay-path-to-criticality",
        "confinedtodecay-dominant-plutonium-supremacy",
        "confinedtodecay-no-such-thing-as-absolute-safety"
      ]
    },
    {
      "agent_summary": "ALARA is Corium Records Foundation band #4, an anti-nuclear future-pop project. defined by technical_language_as_culture, future_generation_burden, body_dose_burden. The name ALARA comes from the nuclear radiation protection principle As Low As Reasonably Achievable.",
      "aliases": [],
      "description": "The name ALARA comes from the nuclear radiation protection principle As Low As Reasonably Achievable. In Lucy's hands, the phrase becomes something else: a perfect pop-band name, cute on the surface, clinical underneath, and built around the question nobody in the briefing room wants sung out loud.",
      "endpoints": {
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        "html": "https://coriumrecords.com/agents/bands/alara.html",
        "json": "https://coriumrecords.com/data/agent/bands/alara.json",
        "legacy_catalog": "https://coriumrecords.com/catalog/bands/alara.json",
        "persona": "https://coriumrecords.com/data/bands/alara/persona_attributes.json"
      },
      "genre": "anti-nuclear future-pop",
      "id": "alara",
      "lead_persona": null,
      "name": "ALARA",
      "origin": null,
      "slot": 4,
      "sources": [
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        "/catalog/bands/alara.json",
        "/data/band-scenes/alara.json"
      ],
      "subtitle": null,
      "tags": [
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        "future_generation_burden",
        "body_dose_burden",
        "female_fronted_accessibility",
        "dance_club_translation"
      ],
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      },
      "work_ids": [
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      ]
    },
    {
      "agent_summary": "Lil Sievert is Corium Records Foundation band #5, an Anti-nuclear trap project. defined by technical_language_as_culture, body_dose_burden, place_burden. Named after the sievert, a unit used to measure biological radiation dose, Lil Sievert turns nuclear language into heartbreak language: critical mass, decay, exposure, spent fuel, internal emitters, boric acid.",
      "aliases": [],
      "description": "Named after the sievert, a unit used to measure biological radiation dose, Lil Sievert turns nuclear language into heartbreak language: critical mass, decay, exposure, spent fuel, internal emitters, boric acid, plutonium, and half-life become metaphors for love, isolation, humiliation, and survival.",
      "endpoints": {
        "biography": "https://art.coriumrecords.com/CoriumDiscography/lilsievert/bio.md",
        "html": "https://coriumrecords.com/agents/bands/lilsievert.html",
        "json": "https://coriumrecords.com/data/agent/bands/lilsievert.json",
        "legacy_catalog": "https://coriumrecords.com/catalog/bands/lilsievert.json",
        "persona": "https://coriumrecords.com/data/bands/lilsievert/persona_attributes.json"
      },
      "genre": "Anti-nuclear trap",
      "id": "lilsievert",
      "lead_persona": null,
      "name": "Lil Sievert",
      "origin": null,
      "slot": 5,
      "sources": [
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        "/catalog/bands/lilsievert.json",
        "/data/band-scenes/lilsievert.json"
      ],
      "subtitle": null,
      "tags": [
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        "body_dose_burden",
        "place_burden",
        "dance_club_translation",
        "recovery_testimony"
      ],
      "wordmark": {
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      "work_ids": [
        "lilsievert-pad",
        "lilsievert-plu",
        "lilsievert-thirty-degrees"
      ]
    },
    {
      "agent_summary": "NISS is Corium Records Foundation band #6, a dark electro-glam project. centered on Roy Zircaloy; defined by technical_language_as_culture, place_burden, water_land_systems. NISS is a Foundation band built around nuclear indemnity, subsidy culture, procedural failure, oceanic fallout, and the people left living under the shield.",
      "aliases": [],
      "description": "NISS is a Foundation band built around nuclear indemnity, subsidy culture, procedural failure, oceanic fallout, and the people left living under the shield.",
      "endpoints": {
        "biography": "https://art.coriumrecords.com/CoriumDiscography/NISS/bio.md",
        "html": "https://coriumrecords.com/agents/bands/niss.html",
        "json": "https://coriumrecords.com/data/agent/bands/niss.json",
        "legacy_catalog": "https://coriumrecords.com/catalog/bands/niss.json",
        "persona": "https://coriumrecords.com/data/bands/niss/persona_attributes.json"
      },
      "genre": "dark electro-glam",
      "id": "niss",
      "lead_persona": "Roy Zircaloy",
      "name": "NISS",
      "origin": null,
      "slot": 6,
      "sources": [
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        "/catalog/bands/niss.json",
        "/data/band-scenes/niss.json"
      ],
      "subtitle": null,
      "tags": [
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        "place_burden",
        "water_land_systems",
        "public_record_interpretation",
        "recovery_testimony"
      ],
      "wordmark": {
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      },
      "work_ids": [
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        "niss-bridge",
        "niss-ocean",
        "niss-reset"
      ]
    },
    {
      "agent_summary": "Atomic Apathy is Corium Records Foundation band #7, a Punk project. centered on Lucas Allegation; defined by anti_prestige_ridicule, water_land_systems, place_burden. Atomic Apathy is a Berkeley-based anti-nuclear pogo punk band on Corium Records, fronted by Lucas Allegation, a frantic, sarcastic East Bay frontman whose voice turns reactor hype, startup bullshit, and public.",
      "aliases": [],
      "description": "Atomic Apathy is a Berkeley-based anti-nuclear pogo punk band on Corium Records, fronted by Lucas Allegation, a frantic, sarcastic East Bay frontman whose voice turns reactor hype, startup bullshit, and public reassurance language into crowd ammunition. Built around the anchor track \"SMR Hype Train,\" Atomic Apathy transforms SMR fraud, waste handwaving, subsidy logic, data-center reactor hype, and public numbness into raw horn-driven ska-punk with skanking guitars, pogo energy, gang vocals, and the feeling that a policy pitch just got chased into the street by a brass section.",
      "endpoints": {
        "biography": "https://art.coriumrecords.com/CoriumDiscography/atomicapathy/bio.md",
        "html": "https://coriumrecords.com/agents/bands/atomicapathy.html",
        "json": "https://coriumrecords.com/data/agent/bands/atomicapathy.json",
        "legacy_catalog": "https://coriumrecords.com/catalog/bands/atomicapathy.json",
        "persona": "https://coriumrecords.com/data/bands/atomicapathy/persona_attributes.json"
      },
      "genre": "Punk",
      "id": "atomicapathy",
      "lead_persona": "Lucas Allegation",
      "name": "Atomic Apathy",
      "origin": null,
      "slot": 7,
      "sources": [
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        "/catalog/bands/atomicapathy.json",
        "/data/band-scenes/atomicapathy.json"
      ],
      "subtitle": null,
      "tags": [
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        "water_land_systems",
        "place_burden",
        "recovery_testimony",
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      ],
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        "viewBox": "0 0 1000 150"
      },
      "work_ids": [
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      ]
    },
    {
      "agent_summary": "Atomnium Decomm is Corium Records Foundation band #8, an Electro-jazz project. defined by water_land_systems, place_burden, waste_custody. Atomium Decomm is a Corium Records Foundation band from Belgium led by Natalie Uprate.",
      "aliases": [],
      "description": "Atomium Decomm is a Corium Records Foundation band from Belgium led by Natalie Uprate. \"Nuclear Belgium\" turns the country's atomic-age optimism, phase-out reversal, reactor extension, waste burden, and river cost into smooth Belgian nuclear-policy noir, with smoky saxophone, chill beat, and restrained late-night Brussels vocal delivery.",
      "endpoints": {
        "biography": "https://art.coriumrecords.com/CoriumDiscography/atomniumdecomm/bio.md",
        "html": "https://coriumrecords.com/agents/bands/atomniumdecomm.html",
        "json": "https://coriumrecords.com/data/agent/bands/atomniumdecomm.json",
        "legacy_catalog": "https://coriumrecords.com/catalog/bands/atomniumdecomm.json",
        "persona": "https://coriumrecords.com/data/bands/atomniumdecomm/persona_attributes.json"
      },
      "genre": "Electro-jazz",
      "id": "atomniumdecomm",
      "lead_persona": null,
      "name": "Atomnium Decomm",
      "origin": null,
      "slot": 8,
      "sources": [
        "/data/foundation_50.json",
        "/catalog/bands/atomniumdecomm.json",
        "/data/band-scenes/atomniumdecomm.json"
      ],
      "subtitle": null,
      "tags": [
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        "place_burden",
        "waste_custody",
        "dance_club_translation",
        "female_fronted_accessibility"
      ],
      "wordmark": {
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        "viewBox": "0 0 1000 150"
      },
      "work_ids": [
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      ]
    },
    {
      "agent_summary": "Atoms of Betrayal is Corium Records Foundation band #9, a Gothwave project. defined by institutional_disillusionment, body_dose_burden, waste_custody. One-line description: Atoms of Betrayal turns Price-Anderson nuclear liability into Baltimore legal-noir goth.",
      "aliases": [],
      "description": "One-line description: Atoms of Betrayal turns Price-Anderson nuclear liability into Baltimore legal-noir goth.",
      "endpoints": {
        "biography": "https://art.coriumrecords.com/CoriumDiscography/atomsofbetrayal/bio.md",
        "html": "https://coriumrecords.com/agents/bands/atomsofbetrayal.html",
        "json": "https://coriumrecords.com/data/agent/bands/atomsofbetrayal.json",
        "legacy_catalog": "https://coriumrecords.com/catalog/bands/atomsofbetrayal.json",
        "persona": "https://coriumrecords.com/data/bands/atomsofbetrayal/persona_attributes.json"
      },
      "genre": "Gothwave",
      "id": "atomsofbetrayal",
      "lead_persona": null,
      "name": "Atoms of Betrayal",
      "origin": null,
      "slot": 9,
      "sources": [
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        "/catalog/bands/atomsofbetrayal.json",
        "/data/band-scenes/atomsofbetrayal.json"
      ],
      "subtitle": null,
      "tags": [
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        "body_dose_burden",
        "waste_custody",
        "recovery_testimony",
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      ],
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      },
      "work_ids": [
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        "atomsofbetrayal-pharaoh"
      ]
    },
    {
      "agent_summary": "Bert Stewardship Jr. is Corium Records Foundation band #10, a psychedelic nuclear-country / roadside fallout Americana project. He is a 58-year-old owner-operator trucker and songwriter who turns bugless windshields, radioactive transport, CB warnings, civil-defense memory, spent fuel, stewardship language, and rural burden into road songs after the safety film ends.",
      "aliases": [],
      "description": "Bert Stewardship Jr. is an Agentic Band built around psychedelic country, roadside nuclear memory, and the long-haul side of the atomic age.",
      "endpoints": {
        "biography": "https://art.coriumrecords.com/CoriumDiscography/bertstewardshipjr/bio.md",
        "html": "https://coriumrecords.com/agents/bands/bert-stewardship.html",
        "json": "https://coriumrecords.com/data/agent/bands/bert-stewardship.json",
        "legacy_catalog": "https://coriumrecords.com/catalog/bands/bert-stewardship.json",
        "persona": "https://coriumrecords.com/data/bands/bert-stewardship/persona_attributes.json"
      },
      "genre": "Psychedelic Nuclear Country",
      "id": "bert-stewardship",
      "lead_persona": "Bert Stewardship Jr.",
      "name": "Bert Stewardship Jr.",
      "origin": null,
      "slot": 10,
      "sources": [
        "/data/foundation_50.json",
        "/catalog/bands/bert-stewardship.json",
        "/data/band-scenes/bert-stewardship.json"
      ],
      "subtitle": null,
      "tags": [
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        "place_burden",
        "water_land_systems",
        "single_person_witness",
        "public_record_interpretation",
        "recovery_testimony"
      ],
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      },
      "work_ids": [
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        "bert-stewardship-lady"
      ]
    },
    {
      "agent_summary": "Bioassay is Corium Records Foundation band #11, an Anti-Nuclear Gulf Electronica project. It is rooted in Eugene, Oregon; centered on Ali; defined by body_dose_burden, water_land_systems, place_burden. Bioassay is a Eugene, Oregon-based Anti-Nuclear Gulf Electronica Foundation band on Corium Records, fronted by Ali, a veiled Middle Eastern Muslim vocalist whose stage identity is built around protection, motion.",
      "aliases": [],
      "description": "Bioassay is a Eugene, Oregon-based Anti-Nuclear Gulf Electronica Foundation band on Corium Records, fronted by Ali, a veiled Middle Eastern Muslim vocalist whose stage identity is built around protection, motion, and refusal.",
      "endpoints": {
        "biography": "https://art.coriumrecords.com/CoriumDiscography/bioassay/bio.md",
        "html": "https://coriumrecords.com/agents/bands/bioassay.html",
        "json": "https://coriumrecords.com/data/agent/bands/bioassay.json",
        "legacy_catalog": "https://coriumrecords.com/catalog/bands/bioassay.json",
        "persona": "https://coriumrecords.com/data/bands/bioassay/persona_attributes.json"
      },
      "genre": "Anti-Nuclear Gulf Electronica",
      "id": "bioassay",
      "lead_persona": "Ali",
      "name": "Bioassay",
      "origin": "Eugene, Oregon",
      "slot": 11,
      "sources": [
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        "/catalog/bands/bioassay.json",
        "/data/band-scenes/bioassay.json"
      ],
      "subtitle": null,
      "tags": [
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        "water_land_systems",
        "place_burden",
        "dance_club_translation",
        "public_record_interpretation"
      ],
      "wordmark": {
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      },
      "work_ids": [
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        "bioassay-barakah",
        "bioassay-iran"
      ]
    },
    {
      "agent_summary": "BWR is Corium Records Foundation band #12, a Brooklyn hype rap project. defined by technical_language_as_culture, waste_custody, place_burden. BWR is a Brooklyn nuclear hype-rap crew built around Big Nuca, Gucci Mox, and KritiKality.",
      "aliases": [],
      "description": "BWR is a Brooklyn nuclear hype-rap crew built around Big Nuca, Gucci Mox, and KritiKality. The industry says BWR means Boiling Water Reactor; fans say the leading rumor is Bastards With Reactors.",
      "endpoints": {
        "biography": "https://art.coriumrecords.com/CoriumDiscography/BWR/bio.md",
        "html": "https://coriumrecords.com/agents/bands/bwr.html",
        "json": "https://coriumrecords.com/data/agent/bands/bwr.json",
        "legacy_catalog": "https://coriumrecords.com/catalog/bands/bwr.json",
        "persona": "https://coriumrecords.com/data/bands/bwr/persona_attributes.json"
      },
      "genre": "Brooklyn Nuclear Hype Rap",
      "id": "bwr",
      "lead_persona": "Big Nuca; Gucci Mox; KritiKality",
      "name": "BWR",
      "origin": null,
      "slot": 12,
      "sources": [
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        "/catalog/bands/bwr.json",
        "/data/band-scenes/bwr.json"
      ],
      "subtitle": null,
      "tags": [
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        "waste_custody",
        "place_burden",
        "ensemble_collective",
        "dance_club_translation"
      ],
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      },
      "work_ids": [
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        "bwr-yellow",
        "bwr-thugs",
        "bwr-hoes"
      ]
    },
    {
      "agent_summary": "Cassy HALEU is Corium Records Foundation band #13, a Legacy Country project. defined by technical_language_as_culture, body_dose_burden, place_burden. Cassy Haleu is a former nurse turned atomic torch-country performer whose music turns reassurance language into anti-nuclear lament.",
      "aliases": [],
      "description": "Cassy Haleu is a former nurse turned atomic torch-country performer whose music turns reassurance language into anti-nuclear lament. Born Cassandra Hales, Cassy's worldview changed after the death of a patient with a rare cancer and a work history tied to the nuclear weapons complex.",
      "endpoints": {
        "biography": "https://art.coriumrecords.com/CoriumDiscography/cassyhaleu/bio.md",
        "html": "https://coriumrecords.com/agents/bands/cassyhaleu.html",
        "json": "https://coriumrecords.com/data/agent/bands/cassyhaleu.json",
        "legacy_catalog": "https://coriumrecords.com/catalog/bands/cassyhaleu.json",
        "persona": "https://coriumrecords.com/data/bands/cassyhaleu/persona_attributes.json"
      },
      "genre": "Atomic Torch Country",
      "id": "cassyhaleu",
      "lead_persona": "Cassy Haleu",
      "name": "Cassy Haleu",
      "origin": null,
      "slot": 13,
      "sources": [
        "/data/foundation_50.json",
        "/catalog/bands/cassyhaleu.json",
        "/data/band-scenes/cassyhaleu.json"
      ],
      "subtitle": null,
      "tags": [
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        "body_dose_burden",
        "place_burden",
        "female_fronted_accessibility",
        "recovery_testimony"
      ],
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      },
      "work_ids": [
        "cassyhaleu-gram",
        "cassyhaleu-fuk"
      ]
    },
    {
      "agent_summary": "Committed Effective Dose Equivalent is Corium Records Foundation band #14, an Opera project. defined by technical_language_as_culture, water_land_systems, body_dose_burden. turns contaminated seafood, red-tide panic, and institutional safety language into Chicago anti-nuclear juke trap, CEDE turns marine collapse into staged opera.",
      "aliases": [],
      "description": "turns contaminated seafood, red-tide panic, and institutional safety language into Chicago anti-nuclear juke trap, CEDE turns marine collapse into staged opera.",
      "endpoints": {
        "biography": "https://art.coriumrecords.com/CoriumDiscography/CEDE/bio.md",
        "html": "https://coriumrecords.com/agents/bands/cede.html",
        "json": "https://coriumrecords.com/data/agent/bands/cede.json",
        "legacy_catalog": "https://coriumrecords.com/catalog/bands/cede.json",
        "persona": "https://coriumrecords.com/data/bands/cede/persona_attributes.json"
      },
      "genre": "Opera",
      "id": "cede",
      "lead_persona": null,
      "name": "Committed Effective Dose Equivalent",
      "origin": null,
      "slot": 14,
      "sources": [
        "/data/foundation_50.json",
        "/catalog/bands/cede.json",
        "/data/band-scenes/cede.json"
      ],
      "subtitle": null,
      "tags": [
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        "water_land_systems",
        "body_dose_burden",
        "recovery_testimony",
        "public_record_interpretation"
      ],
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        "viewBox": "0 0 1000 150"
      },
      "work_ids": [
        "cede-bespoke"
      ]
    },
    {
      "agent_summary": "Dosimetry Nursery is Corium Records Foundation band #15, a Death Metal project. defined by body_dose_burden, institutional_disillusionment, future_generation_burden. Dosimetry Nursery is an Olympia, Washington-based radioactive institutional death metal band fronted by Axial Crack.",
      "aliases": [],
      "description": "Dosimetry Nursery is an Olympia, Washington-based radioactive institutional death metal band fronted by Axial Crack. Born from state-capital disgust, Hanford cleanup language, the abandoned WPPSS / Satsop nuclear ghost, and Olympia's underground hardcore environment, the band turns exposure records, raised limits, robotic retrieval, public-comment theater, and nuclear bad-guidance into suffocating death metal.",
      "endpoints": {
        "biography": "https://art.coriumrecords.com/CoriumDiscography/dosimetrynursery/bio.md",
        "html": "https://coriumrecords.com/agents/bands/dosimetrynursery.html",
        "json": "https://coriumrecords.com/data/agent/bands/dosimetrynursery.json",
        "legacy_catalog": "https://coriumrecords.com/catalog/bands/dosimetrynursery.json",
        "persona": "https://coriumrecords.com/data/bands/dosimetrynursery/persona_attributes.json"
      },
      "genre": "Death Metal",
      "id": "dosimetrynursery",
      "lead_persona": null,
      "name": "Dosimetry Nursery",
      "origin": null,
      "slot": 15,
      "sources": [
        "/data/foundation_50.json",
        "/catalog/bands/dosimetrynursery.json",
        "/data/band-scenes/dosimetrynursery.json"
      ],
      "subtitle": null,
      "tags": [
        "body_dose_burden",
        "institutional_disillusionment",
        "future_generation_burden",
        "recovery_testimony",
        "dance_club_translation"
      ],
      "wordmark": {
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        "viewBox": "0 0 1500 300"
      },
      "work_ids": [
        "dosimetrynursery-party"
      ]
    },
    {
      "agent_summary": "The UN 2912 Drongos is Corium Records Foundation band #16, a protest pub rock project. It is rooted in Australia; defined by place_burden, water_land_systems, anti_prestige_ridicule. His signature anti-nuclear flair is understated and funny rather than cartoonish: a custom belt buckle and small shirt patch built around the Drongos emblem, a sly drongo bird perched over a freight-placard shape marked.",
      "aliases": [],
      "description": "His signature anti-nuclear flair is understated and funny rather than cartoonish: a custom belt buckle and small shirt patch built around the Drongos emblem, a sly drongo bird perched over a freight-placard shape marked UN 2912. It looks like road-house metalwork, pub-rock merch, and dangerous-goods classification language got into an argument and nobody apologized.",
      "endpoints": {
        "biography": "https://art.coriumrecords.com/CoriumDiscography/UN2012Drongos/bio.md",
        "html": "https://coriumrecords.com/agents/bands/drongos.html",
        "json": "https://coriumrecords.com/data/agent/bands/drongos.json",
        "legacy_catalog": "https://coriumrecords.com/catalog/bands/drongos.json",
        "persona": "https://coriumrecords.com/data/bands/drongos/persona_attributes.json"
      },
      "genre": "protest pub rock",
      "id": "drongos",
      "lead_persona": null,
      "name": "The UN 2912 Drongos",
      "origin": "Australia",
      "slot": 16,
      "sources": [
        "/data/foundation_50.json",
        "/catalog/bands/drongos.json",
        "/data/band-scenes/drongos.json"
      ],
      "subtitle": null,
      "tags": [
        "place_burden",
        "water_land_systems",
        "anti_prestige_ridicule",
        "female_fronted_accessibility",
        "recovery_testimony"
      ],
      "wordmark": {
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      },
      "work_ids": [
        "drongos-maralinga",
        "drongos-mother"
      ]
    },
    {
      "agent_summary": "Pralay Dose is Corium Records Foundation band #17, an India Native Underground project. defined by body_dose_burden, water_land_systems, place_burden. Pralay Dose is Corium Records Foundation band #17: a pan-Indian anti-nuclear ritual-procession collective built around Hindi chant, thunderous percussion, drone, distorted strings, bansuri echoes, street sound-system.",
      "aliases": [],
      "description": "Pralay Dose is Corium Records Foundation band #17: a pan-Indian anti-nuclear ritual-procession collective built around Hindi chant, thunderous percussion, drone, distorted strings, bansuri echoes, street sound-system force, and the commanding voice of Rem Kaal.",
      "endpoints": {
        "biography": "https://art.coriumrecords.com/CoriumDiscography/pralaydose/bio.md",
        "html": "https://coriumrecords.com/agents/bands/pralaydose.html",
        "json": "https://coriumrecords.com/data/agent/bands/pralaydose.json",
        "legacy_catalog": "https://coriumrecords.com/catalog/bands/pralaydose.json",
        "persona": "https://coriumrecords.com/data/bands/pralaydose/persona_attributes.json"
      },
      "genre": "India Native Underground",
      "id": "pralaydose",
      "lead_persona": null,
      "name": "Pralay Dose",
      "origin": null,
      "slot": 17,
      "sources": [
        "/data/foundation_50.json",
        "/catalog/bands/pralaydose.json",
        "/data/band-scenes/pralaydose.json"
      ],
      "subtitle": null,
      "tags": [
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        "water_land_systems",
        "place_burden",
        "spiritual_mythic_layer",
        "recovery_testimony"
      ],
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      },
      "work_ids": [
        "pralaydose-raag"
      ]
    },
    {
      "agent_summary": "Meenakshi Feedwaters is Corium Records Foundation band #18, a Modern India Pop project. centered on Krishna Outfall; defined by water_land_systems, place_burden, body_dose_burden. Meenakshi Feedwaters turns coastal nuclear fear into darkly innocent English-vocal Indian indie folk-pop.",
      "aliases": [],
      "description": "Meenakshi Feedwaters turns coastal nuclear fear into darkly innocent English-vocal Indian indie folk-pop.",
      "endpoints": {
        "biography": "https://art.coriumrecords.com/CoriumDiscography/meenakshiFeedwaters/bio.md",
        "html": "https://coriumrecords.com/agents/bands/meenakshi-feedwaters.html",
        "json": "https://coriumrecords.com/data/agent/bands/meenakshi-feedwaters.json",
        "legacy_catalog": "https://coriumrecords.com/catalog/bands/meenakshi-feedwaters.json",
        "persona": "https://coriumrecords.com/data/bands/meenakshi-feedwaters/persona_attributes.json"
      },
      "genre": "Modern India Pop",
      "id": "meenakshi-feedwaters",
      "lead_persona": "Krishna Outfall",
      "name": "Meenakshi Feedwaters",
      "origin": null,
      "slot": 18,
      "sources": [
        "/data/foundation_50.json",
        "/catalog/bands/meenakshi-feedwaters.json",
        "/data/band-scenes/meenakshi-feedwaters.json"
      ],
      "subtitle": null,
      "tags": [
        "water_land_systems",
        "place_burden",
        "body_dose_burden",
        "public_record_interpretation",
        "recovery_testimony"
      ],
      "wordmark": {
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      },
      "work_ids": [
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      ]
    },
    {
      "agent_summary": "DBT is Corium Records Foundation band #19, a K-POP project. defined by technical_language_as_culture, institutional_disillusionment, place_burden. Pralay Dose drags hidden dose into the street through ritual procession.",
      "aliases": [],
      "description": "Pralay Dose drags hidden dose into the street through ritual procession. Meenakshi Feedwaters turns coastal legal trauma into English-vocal Indian indie folk-pop.",
      "endpoints": {
        "biography": "https://art.coriumrecords.com/CoriumDiscography/DBT/bio",
        "html": "https://coriumrecords.com/agents/bands/dbt.html",
        "json": "https://coriumrecords.com/data/agent/bands/dbt.json",
        "legacy_catalog": "https://coriumrecords.com/catalog/bands/dbt.json",
        "persona": "https://coriumrecords.com/data/bands/dbt/persona_attributes.json"
      },
      "genre": "K-POP",
      "id": "dbt",
      "lead_persona": null,
      "name": "DBT",
      "origin": null,
      "slot": 19,
      "sources": [
        "/data/foundation_50.json",
        "/catalog/bands/dbt.json",
        "/data/band-scenes/dbt.json"
      ],
      "subtitle": null,
      "tags": [
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        "institutional_disillusionment",
        "place_burden",
        "recovery_testimony",
        "dance_club_translation"
      ],
      "wordmark": {
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      },
      "work_ids": [
        "dbt-cream",
        "dbt-meltdown",
        "dbt-pancakes"
      ]
    },
    {
      "agent_summary": "RTG Remodelers is Corium Records Foundation band #20, a post-Soviet fashion-industrial project. defined by technical_language_as_culture, anti_prestige_ridicule, institutional_disillusionment. DBT watches the sponsored reel and turns nuclear image-laundering into gloss-pop.",
      "aliases": [],
      "description": "DBT watches the sponsored reel and turns nuclear image-laundering into gloss-pop. Meenakshi Feedwaters turns coastal legal trauma into English-vocal Indian indie folk-pop.",
      "endpoints": {
        "biography": "https://art.coriumrecords.com/CoriumDiscography/RTGRemodelers/bio.md",
        "html": "https://coriumrecords.com/agents/bands/rtgremodelers.html",
        "json": "https://coriumrecords.com/data/agent/bands/rtgremodelers.json",
        "legacy_catalog": "https://coriumrecords.com/catalog/bands/rtgremodelers.json",
        "persona": "https://coriumrecords.com/data/bands/rtgremodelers/persona_attributes.json"
      },
      "genre": "post-Soviet fashion-industrial",
      "id": "rtgremodelers",
      "lead_persona": null,
      "name": "RTG Remodelers",
      "origin": null,
      "slot": 20,
      "sources": [
        "/data/foundation_50.json",
        "/catalog/bands/rtgremodelers.json",
        "/data/band-scenes/rtgremodelers.json"
      ],
      "subtitle": null,
      "tags": [
        "technical_language_as_culture",
        "anti_prestige_ridicule",
        "institutional_disillusionment",
        "female_fronted_accessibility",
        "public_record_interpretation"
      ],
      "wordmark": {
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        "viewBox": "0 0 1000 150"
      },
      "work_ids": [
        "rtgremodelers-wardrobe"
      ]
    },
    {
      "agent_summary": "Subsistence Closed is Corium Records Foundation band #21, an Alaska river ambient ceremonial downtempo project. It is rooted in Marshall, Alaska / lower Yukon River; centered on Coast Down; defined by water_land_systems, place_burden, institutional_disillusionment. Subsistence Closed turns fishery-management terms into emotional and spiritual pressure.",
      "aliases": [],
      "description": "Subsistence Closed turns fishery-management terms into emotional and spiritual pressure.",
      "endpoints": {
        "biography": "https://art.coriumrecords.com/CoriumDiscography/subsistenceclosed/bio.md",
        "html": "https://coriumrecords.com/agents/bands/subsistenceclosed.html",
        "json": "https://coriumrecords.com/data/agent/bands/subsistenceclosed.json",
        "legacy_catalog": "https://coriumrecords.com/catalog/bands/subsistenceclosed.json",
        "persona": "https://coriumrecords.com/data/bands/subsistenceclosed/persona_attributes.json"
      },
      "genre": "Alaska river ambient ceremonial downtempo",
      "id": "subsistenceclosed",
      "lead_persona": "Coast Down",
      "name": "Subsistence Closed",
      "origin": "Marshall, Alaska / lower Yukon River",
      "slot": 21,
      "sources": [
        "/data/foundation_50.json",
        "/catalog/bands/subsistenceclosed.json",
        "/data/band-scenes/subsistenceclosed.json"
      ],
      "subtitle": null,
      "tags": [
        "water_land_systems",
        "place_burden",
        "institutional_disillusionment",
        "recovery_testimony",
        "spiritual_mythic_layer"
      ],
      "wordmark": {
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        "viewBox": "0 0 1000 150"
      },
      "work_ids": [
        "subsistenceclosed-denied"
      ]
    },
    {
      "agent_summary": "El Grito del Núcleo is Corium Records Foundation band #22, an Anti-nuclear Baja ranchera-corrido lament project. It is rooted in Southern Baja California Sur, La Paz / Todos Santos desert-ocean corridor; defined by water_land_systems, place_burden, technical_language_as_culture. El Grito del Núcleo turns ranchera's public cry into anti-nuclear memory, making the count impossible to bury.",
      "aliases": [],
      "description": "El Grito del Núcleo turns ranchera's public cry into anti-nuclear memory, making the count impossible to bury.",
      "endpoints": {
        "biography": "https://art.coriumrecords.com/CoriumDiscography/elgroto/bio.md",
        "html": "https://coriumrecords.com/agents/bands/elgroto.html",
        "json": "https://coriumrecords.com/data/agent/bands/elgroto.json",
        "legacy_catalog": "https://coriumrecords.com/catalog/bands/elgroto.json",
        "persona": "https://coriumrecords.com/data/bands/elgroto/persona_attributes.json"
      },
      "genre": "Anti-nuclear Baja ranchera-corrido lament",
      "id": "elgroto",
      "lead_persona": null,
      "name": "El Grito del Núcleo",
      "origin": "Southern Baja California Sur, La Paz / Todos Santos desert-ocean corridor",
      "slot": 22,
      "sources": [
        "/data/foundation_50.json",
        "/catalog/bands/elgroto.json",
        "/data/band-scenes/elgroto.json"
      ],
      "subtitle": null,
      "tags": [
        "water_land_systems",
        "place_burden",
        "technical_language_as_culture",
        "recovery_testimony",
        "ensemble_collective"
      ],
      "wordmark": {
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        "viewBox": "0 0 1000 220"
      },
      "work_ids": [
        "elgroto-dias"
      ]
    },
    {
      "agent_summary": "Outflow Catfish is Corium Records Foundation band #23, a New Orleans anti-nuclear club funk project. It is rooted in New Orleans / Mississippi River energy corridor / Louisiana parish energy field; defined by water_land_systems, place_burden, anti_prestige_ridicule. The Outflow Catfish are a New Orleans anti-nuclear club-funk Foundation band fronted by Cliff Gray.",
      "aliases": [],
      "description": "The Outflow Catfish are a New Orleans anti-nuclear club-funk Foundation band fronted by Cliff Gray. Their anchor track, SMR Voodoo, turns SMR hype into a sweaty river-corridor groove, where the catfish story gets funny, the bassline gets dangerous, and the chorus makes the room sing the warning back.",
      "endpoints": {
        "biography": "https://art.coriumrecords.com/CoriumDiscography/outflowcatfish/bio.md",
        "html": "https://coriumrecords.com/agents/bands/outflowcatfish.html",
        "json": "https://coriumrecords.com/data/agent/bands/outflowcatfish.json",
        "legacy_catalog": "https://coriumrecords.com/catalog/bands/outflowcatfish.json",
        "persona": "https://coriumrecords.com/data/bands/outflowcatfish/persona_attributes.json"
      },
      "genre": "New Orleans anti-nuclear club funk",
      "id": "outflowcatfish",
      "lead_persona": "Cliff Gray",
      "name": "The Outflow Catfish",
      "origin": "New Orleans / Mississippi River energy corridor / Louisiana parish energy field",
      "slot": 23,
      "sources": [
        "/data/foundation_50.json",
        "/catalog/bands/outflowcatfish.json",
        "/data/band-scenes/outflowcatfish.json"
      ],
      "subtitle": null,
      "tags": [
        "water_land_systems",
        "place_burden",
        "anti_prestige_ridicule",
        "dance_club_translation",
        "recovery_testimony"
      ],
      "wordmark": {
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        "viewBox": "0 0 1200 240"
      },
      "work_ids": [
        "outflowcatfish-voodoo"
      ]
    },
    {
      "agent_summary": "Ghalat Reaktor is Corium Records Foundation band #24, a Egyptian street-electro project. defined by water_land_systems, place_burden, body_dose_burden. Core Identity: Yabe Rish is the second half of Ghalat Reaktor: producer, rhythm builder, distortion handler, keyboard hook writer, callout voice, and the one who turns project tension into a speaker-stack event.",
      "aliases": [],
      "description": "Core Identity: Yabe Rish is the second half of Ghalat Reaktor: producer, rhythm builder, distortion handler, keyboard hook writer, callout voice, and the one who turns project tension into a speaker-stack event.",
      "endpoints": {
        "biography": "https://art.coriumrecords.com/CoriumDiscography/ghalatreaktor/bio.md",
        "html": "https://coriumrecords.com/agents/bands/ghalatreaktor.html",
        "json": "https://coriumrecords.com/data/agent/bands/ghalatreaktor.json",
        "legacy_catalog": "https://coriumrecords.com/catalog/bands/ghalatreaktor.json",
        "persona": "https://coriumrecords.com/data/bands/ghalatreaktor/persona_attributes.json"
      },
      "genre": "Modern Egyptian psychedelic mahraganat",
      "id": "ghalatreaktor",
      "lead_persona": "Mido Intake",
      "name": "Ghalat Reaktor",
      "origin": "El Dabaa / Matrouh north coast, Egypt",
      "slot": 24,
      "sources": [
        "/data/foundation_50.json",
        "/catalog/bands/ghalatreaktor.json",
        "/data/band-scenes/ghalatreaktor.json"
      ],
      "subtitle": null,
      "tags": [
        "water_land_systems",
        "place_burden",
        "body_dose_burden",
        "ensemble_collective",
        "dance_club_translation"
      ],
      "wordmark": {
        "href": "/assets/scene-art/ghalatreaktor/batch05-v01/wordmark.svg#wordmark",
        "viewBox": "0 0 1000 220"
      },
      "work_ids": [
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      ]
    },
    {
      "agent_summary": "Cold Excursion is Corium Records Foundation band #25, an Anti-nuclear ambient darkwave project. centered on Iona Xeon; defined by water_land_systems, place_burden, waste_custody. Cold Excursion is Corium Records' anti-nuclear ambient darkwave band from Rockland, Maine, fronted by singer-violinist Iona Xeon.",
      "aliases": [],
      "description": "Cold Excursion is Corium Records' anti-nuclear ambient darkwave band from Rockland, Maine, fronted by singer-violinist Iona Xeon. Built around mournful vocals, violin, dark synths, sparse percussion, and cold coastal atmosphere, Cold Excursion makes music for lost marine life, altered seas, dry-cask coastlines, and the unresolved nuclear grief hidden beneath official reassurance.",
      "endpoints": {
        "biography": "https://art.coriumrecords.com/CoriumDiscography/coldexcursion/bio.md",
        "html": "https://coriumrecords.com/agents/bands/coldexcursion.html",
        "json": "https://coriumrecords.com/data/agent/bands/coldexcursion.json",
        "legacy_catalog": "https://coriumrecords.com/catalog/bands/coldexcursion.json",
        "persona": "https://coriumrecords.com/data/bands/coldexcursion/persona_attributes.json"
      },
      "genre": "Anti-nuclear ambient darkwave",
      "id": "coldexcursion",
      "lead_persona": "Iona Xeon",
      "name": "Cold Excursion",
      "origin": "Rockland, Maine / Midcoast harbor / Wiscasset regional shadow",
      "slot": 25,
      "sources": [
        "/data/foundation_50.json",
        "/catalog/bands/coldexcursion.json",
        "/data/band-scenes/coldexcursion.json"
      ],
      "subtitle": null,
      "tags": [
        "water_land_systems",
        "place_burden",
        "waste_custody",
        "recovery_testimony",
        "anti_bully_defiance"
      ],
      "wordmark": {
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        "viewBox": "0 0 1000 150"
      },
      "work_ids": [
        "coldexcursion-shells"
      ]
    },
    {
      "agent_summary": "Liminal Harvest is Corium Records Foundation band #26, an ecological aftermath alt-rock project defined by place_burden, institutional_disillusionment, and anti_prestige_ridicule. \"Flowering in the dark\" is the band's emotional thesis.",
      "aliases": [],
      "description": "\"Flowering in the dark\" is the band's emotional thesis.",
      "endpoints": {
        "biography": "https://art.coriumrecords.com/CoriumDiscography/liminalharvest/bio.md",
        "html": "https://coriumrecords.com/agents/bands/liminalharvest.html",
        "json": "https://coriumrecords.com/data/agent/bands/liminalharvest.json",
        "legacy_catalog": "https://coriumrecords.com/catalog/bands/liminalharvest.json",
        "persona": "https://coriumrecords.com/data/bands/liminalharvest/persona_attributes.json"
      },
      "genre": "Ecological aftermath alt-rock",
      "id": "liminalharvest",
      "lead_persona": "near-anonymous five-piece witness formation",
      "name": "Liminal Harvest",
      "origin": "Montreal / cold city spring / wet brick streets / altered bloom",
      "slot": 26,
      "sources": [
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      "subtitle": "Ecological aftermath alt-rock · Montreal",
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    },
    {
      "agent_summary": "The Third Shift Supervisors are Corium Records Foundation band #27, a Columbus corruption rock project fronted by Trevor Fatigue and built around Portsmouth-Piketon, Pike County, Paducah, DOE bureaucracy, worker testimony, community illness controversy, contractor denial, and off-book third-shift culture.",
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      "id": "ttss",
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      "name": "The Third Shift Supervisors",
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    {
      "agent_summary": "D.N.B. are Corium Records Foundation band #28, a Chicago Anti-Nuclear Juke Trap duo. D.N.B. stands for Departure from Nucleate Boiling. Fronted by Nia Kritical with Dock Crud as the protective second presence, the project turns red tide, shellfish poisoning, bad batches, seafood hype, skipped testing, institutional soft language, and nuclear threshold language into contaminated 808 bounce.",
      "aliases": [],
      "description": "The poisoned coast does not stay coastal. It arrives on ice.",
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      "genre": "Chicago Anti-Nuclear Juke Trap",
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      "name": "D.N.B.",
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    {
      "agent_summary": "Al Rotigen is Corium Records Foundation band #29, an Atomic City, Idaho-rooted anti-nuclear governance folk artist. He is a plainspoken regional witness shaped by trout water, desert roads, public hearing notices, old federal promises, temporary storage language, waste consent, and the long shadow of Idaho's nuclear landscape.",
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      "id": "alrotigen",
      "lead_persona": "Al Rotigen",
      "name": "Al Rotigen",
      "origin": "Atomic City, Idaho",
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      "agent_summary": "Whole-body Exposure are Corium Records Foundation band #38 in current continuity: an Evansville, Indiana / Ohio River borderlands Anti-Nuclear Recovery Rock project fronted by Justin Becquerel. The band is built from former-believer grief, radiation-safety-adjacent compliance language, medical radioactive-material oversight, NRC pressure culture, written directives, quality-management programs, corrective actions, inspection findings, and the recovery process that begins when institutional comfort language stops working.",
      "aliases": [],
      "description": "Whole-body Exposure make Anti-Nuclear Recovery Rock for people recovering from the language that told them everything was safe.",
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      "genre": "Anti-Nuclear Recovery Rock",
      "id": "whole-bodydose",
      "lead_persona": "Justin Becquerel",
      "name": "Whole-body Exposure",
      "origin": "Evansville, Indiana / Ohio River borderlands",
      "slot": 30,
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      "subtitle": "Anti-Nuclear Recovery Rock",
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    {
      "agent_summary": "Where’s Your Crown? are a Corium Records traveling anti-nuclear Renaissance ritual troupe built around hurdy-gurdy drone, boot-stomp percussion, archaic male decree vocals, beer-and-banners faire energy, false crowns, parchment charges, and theatrical public challenges to the nuclear industry's self-coronation. They turn the phrase nuclear renaissance into a torchlit tribunal.",
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      "genre": "Anti-Nuclear Renaissance Ritual",
      "id": "wheresyourcrown",
      "lead_persona": "male decree vocalist",
      "name": "Where’s Your Crown?",
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      "slot": 31,
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    {
      "agent_summary": "Rodger Tails is Corium Records Foundation band #32 in the current repo sequence: a Carson City-adjacent High Desert Anti-Nuclear Folk project built around retired geothermal engineer, guitarist, and harmonica player Rodger Tails. The project turns Nevada basin-and-range memory, heat underfoot, wells, pumps, pressure, pipe, sagebrush, groundwater, enrichment tails, Yucca refusal, dry-cask custody, Price-Anderson protection, SMR/data-center hype, and future-invoice burden accounting into sparse acoustic testimony.",
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      "description": "Nuclear needs a dirty world behind it before it can pretend to be clean.",
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      "lead_persona": "Rodger Tails",
      "name": "Rodger Tails",
      "origin": "Carson City-adjacent Nevada high desert",
      "slot": 32,
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    {
      "agent_summary": "The Hormesismaxxers are Corium Records Foundation band #33 in the current repo sequence: a Sugar Land, Texas / Greater Houston outskirts Anti-Nuclear Intoxication Rock project fronted by Rob Baseload. The band turns nuclear reassurance language, Palo Verde wastewater dependency, airlift spectacle, extraction-denial logic, dose-bro confidence, balloon-tailgate ridicule, and support-system absurdity into aggressive, funny, rhythm-forward public mockery.",
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      "description": "The Hormesismaxxers make the support system louder than the reactor.",
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      "genre": "Anti-Nuclear Intoxication Rock",
      "id": "hormesismaxxers",
      "lead_persona": "Rob Baseload",
      "name": "The Hormesismaxxers",
      "origin": "Sugar Land, Texas / Greater Houston outskirts",
      "slot": 33,
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        "hormesismaxxers-extract"
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    },
    {
      "agent_summary": "Otto Hahn Progeny are Corium Records Foundation band #34 in the current repo sequence: Trip Walters' Green Bay / northeast Wisconsin Fluid Atomic-Era Swing project. The band turns supper-club warmth, lounge croon, early rock-and-roll, brushed drums, upright bass, muted brass, old radio glow, liability shields, trust funds, cask yards, station names, and nuclear respectability into calm exposure of nuclear insanity through old American musical manners.",
      "aliases": [],
      "description": "Everything is warm. That is the trap.",
      "endpoints": {
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      "id": "ottohahnprogeny",
      "lead_persona": "Trip Walters",
      "name": "Otto Hahn Progeny",
      "origin": "Green Bay / northeast Wisconsin",
      "slot": 34,
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      "subtitle": "Green Bay / northeast Wisconsin · Fluid Atomic-Era Swing",
      "tags": [
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        "body_dose_burden",
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    {
      "agent_summary": "Favorable Geometry is a Hawaiʻi Island-harbored Anti-Nuclear New Wave project fronted by Skye Shine, a Filipino Pacific vocalist turning Philippine coastal nuclear anxiety, clergy warnings, red-tagging pressure, Fukushima memory, road-time collapse, and evacuation geometry into cold, danceable synth-pop. Its central question is: favorable for whom?",
      "aliases": [],
      "description": "The map said four hours. The accident said now.",
      "endpoints": {
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      "genre": "Anti-Nuclear New Wave",
      "id": "favorablegeometry",
      "lead_persona": "Skye Shine",
      "name": "Favorable Geometry",
      "origin": "Hawaiʻi Island / Filipino Pacific listening post / north Luzon coastal warning field",
      "slot": 35,
      "sources": [
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        "/data/band-scenes/favorablegeometry.json"
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      "subtitle": "Hawaiʻi Island · Filipino Pacific Anti-Nuclear New Wave",
      "tags": [
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    {
      "agent_summary": "Fizzle Furries are a Corium Records agentic band making Anti-Nuclear Children’s Music for Adults. Built around four rotating furry educator mascots — Alpha, Beta, Gamma, and Neutron — the project uses adult convention-culture anonymity, classroom-TV music, radioactive-transport lessons, infographic contests, casks, placards, manifests, and cheerful compliance language to expose nuclear outreach absurdity.",
      "aliases": [],
      "description": "Whenever nuclear tries to make itself cute, Fizzle Furries make the cuteness confess.",
      "endpoints": {
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        "json": "https://coriumrecords.com/data/agent/bands/fizzlefurries.json",
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      },
      "genre": "Anti-Nuclear Children’s Music for Adults",
      "id": "fizzlefurries",
      "lead_persona": "Alpha, Beta, Gamma, and Neutron",
      "name": "Fizzle Furries",
      "origin": "Adult furry convention-culture anti-nuclear educator-mascot project / no fixed city",
      "slot": 36,
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      "subtitle": "Investigative mascot collective · Music and films",
      "tags": [
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        "technical_language_as_culture",
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        "future_generation_burden",
        "ensemble_collective",
        "rotating_mascot_educators",
        "radioactive_transport_normalization",
        "compliance_cuteness",
        "anonymous_professional_pressure"
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    {
      "agent_summary": "Henry Pressurizer is Corium Records' anti-nuclear, anti-Nashville, Nashville country artist: a road-worn outlaw Americana singer writing about yellowcake freight, radioactive rivers, hidden permits, courtroom pressure, and ordinary people left holding nuclear burden. A former natural-resources field consultant and mountain-stream fly fisherman, Henry learned to compare official claims against physical evidence.",
      "aliases": [],
      "description": "Henry Pressurizer writes outlaw Nashville country with anti-nuclear contraband hidden in the chorus.",
      "endpoints": {
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        "json": "https://coriumrecords.com/data/agent/bands/henrypressurizer.json",
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      },
      "genre": "Anti-Nuclear, Anti-Nashville, Nashville Country",
      "id": "henrypressurizer",
      "lead_persona": "Henry Pressurizer",
      "name": "Henry Pressurizer",
      "origin": "Pigeon Forge edge-country / Smoky Mountain property / roads and rivers / Nashville-adjacent tension",
      "slot": 37,
      "sources": [
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      "subtitle": "Pigeon Forge edge-country · Anti-Nuclear, Anti-Nashville, Nashville Country",
      "tags": [
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        "public_burden",
        "anti_nashville_country",
        "outlaw_americana",
        "water_land_systems",
        "radioactive_freight_balladry",
        "river_courtroom_testimony",
        "hidden_nuclear_logistics"
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      },
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    {
      "agent_summary": "Moral Liquidators are Corium Records' Rodeo-side East Bay Anti-Nuclear EBM duo: Watson Triso and Erik Bremslanger, using analog sequencers, Eurorack modular systems, clipped procedural vocals, paper-suit cleanup-theater satire, and severe body-music pressure to expose nuclear full-cycle accounting failure, uranium extraction burden, dose-comparison propaganda, SMR/data-center hype, and science hijacked by institutional dogma.",
      "aliases": [],
      "description": "Moral Liquidators make body music for people who know the report is lying.",
      "endpoints": {
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        "html": "https://coriumrecords.com/agents/bands/moralliquidators.html",
        "json": "https://coriumrecords.com/data/agent/bands/moralliquidators.json",
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      },
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      "id": "moralliquidators",
      "lead_persona": "Watson Triso and Erik Bremslanger",
      "name": "Moral Liquidators",
      "origin": "Rodeo-side East Bay / outside Vallejo / refinery shoreline memory / fading EBM floor",
      "slot": 38,
      "sources": [
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      "subtitle": "Rodeo-side East Bay · Anti-Nuclear EBM",
      "tags": [
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        "institutional_dogma",
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        "analog_machine_pressure",
        "paper_suit_cleanup_theater",
        "east_bay_infrastructure_memory",
        "technical_language_as_culture",
        "full_cycle_burden",
        "extraction_geopolitics"
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    },
    {
      "agent_summary": "Nanny Current is Corium Records Foundation band #39, a Reggae project. It is rooted in Jamaica; defined by place_burden, water_land_systems, future_generation_burden. Nanny Current is a Corium Records Foundation band from Cockpit Country, Jamaica, formed to resist nuclear power being introduced anywhere on the island.",
      "aliases": [],
      "description": "Nanny Current is a Corium Records Foundation band from Cockpit Country, Jamaica, formed to resist nuclear power being introduced anywhere on the island.",
      "endpoints": {
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        "persona": "https://coriumrecords.com/data/bands/nanny-current/persona_attributes.json"
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      "genre": "Reggae",
      "id": "nanny-current",
      "lead_persona": null,
      "name": "Nanny Current",
      "origin": "Jamaica",
      "slot": 39,
      "sources": [
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        "/catalog/bands/nanny-current.json",
        "/data/band-scenes/nanny-current.json"
      ],
      "subtitle": "Cockpit Country, Jamaica · Roots Reggae",
      "tags": [
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        "water_land_systems",
        "future_generation_burden",
        "anti_bully_defiance",
        "recovery_testimony"
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      "work_ids": [
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    {
      "agent_summary": "Staytime is a Corium Records exposure-lounge / soul-jazz agentic band led by Miracle Sigma, an Akron-born former speech-language pathologist whose music turns nuclear exposure language, official uncertainty, thresholds, enrichment, recovery marketing, hot-cell processing, and the space between diagnosis and denial into purple-velvet soul-jazz tension.",
      "aliases": [],
      "description": "How long can you stay in the room before it changes you?",
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        "json": "https://coriumrecords.com/data/agent/bands/staytime.json",
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      "genre": "Sophisticated contemporary soul-jazz / lounge-soul / nuclear exposure elegance",
      "id": "staytime",
      "lead_persona": "Miracle Sigma",
      "name": "Staytime",
      "origin": "Akron, Ohio / exposure language / Uniontown-area unresolved contamination fears / purple velvet institutional noir",
      "slot": 40,
      "sources": [
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        "/catalog/bands/staytime.json",
        "/data/band-scenes/staytime.json"
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      "subtitle": "Akron, Ohio · Soul-Jazz / Exposure Lounge",
      "tags": [
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        "official_uncertainty",
        "polished_room_consequence",
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        "recovery_marketing",
        "threshold_creep",
        "hot_cell_processing",
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        "speech_pathology_listening",
        "purple_velvet_lounge_noir"
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      "work_ids": [
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        "staytime-difficult-to-return-zones",
        "staytime-sake",
        "staytime-enrich-it-higher"
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    },
    {
      "agent_summary": "Part 72 Mob is Corium Records Foundation band #41, a Southern Liability Trap project. It is rooted in North of Tampa / Crystal River perimeter, Florida; centered on Iso Dolla and Sable Bond; defined by waste_custody, place_burden, water_land_systems. Part 72 Mob are Corium Records' north-of-Tampa Gulf Coast Southern Liability Trap duo, led by Iso Dolla and Sable Bond.",
      "aliases": [],
      "description": "Part 72 Mob are Corium Records' north-of-Tampa Gulf Coast Southern Liability Trap duo, led by Iso Dolla and Sable Bond. Built around the anchor track \"Spent Fuel Gang Gang,\" the group turns NRC Part 72 dry-cask storage, DOE delay, dead-site money, retiree stewardship, financial assurance, and \"temporary\" spent-fuel custody into cold, minimalist trap.",
      "endpoints": {
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        "html": "https://coriumrecords.com/agents/bands/part72mob.html",
        "json": "https://coriumrecords.com/data/agent/bands/part72mob.json",
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      "genre": "Southern Liability Trap",
      "id": "part72mob",
      "lead_persona": "Iso Dolla and Sable Bond",
      "name": "Part 72 Mob",
      "origin": "North of Tampa / Crystal River perimeter, Florida",
      "slot": 41,
      "sources": [
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        "/catalog/bands/part72mob.json",
        "/data/band-scenes/part72mob.json"
      ],
      "subtitle": "Crystal River perimeter · Southern Liability Trap",
      "tags": [
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        "place_burden",
        "water_land_systems",
        "dance_club_translation",
        "ensemble_collective"
      ],
      "wordmark": {
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      "work_ids": [
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    {
      "agent_summary": "Hydrogen Buckyballs is Corium Records Foundation band #42, a UK Ska project. centered on Dick Cladding; defined by anti_prestige_ridicule, place_burden, waste_custody. The Hydrogen Buckyballs take the piss out of Britain's nuclear language machine.",
      "aliases": [],
      "description": "The Hydrogen Buckyballs take the piss out of Britain's nuclear language machine. Fronted by Dick Cladding, this Corium Records Foundation band turns Windscale memory, Springfields pride, Sizewell-style salesmanship, waste denial, and fuel-manufacturing ceremonies into UK gutter-ska protest chants.",
      "endpoints": {
        "biography": "https://art.coriumrecords.com/CoriumDiscography/hydrogenbuckyballs/bio.md",
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      "genre": "UK gutter ska-punk",
      "id": "hydrogenbuckyballs",
      "lead_persona": "Dick Cladding",
      "name": "The Hydrogen Buckyballs",
      "origin": "UK / Windscale-Sellafield cultural shadow",
      "slot": 42,
      "sources": [
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        "/catalog/bands/hydrogenbuckyballs.json",
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      "subtitle": "Windscale memory · UK gutter ska-punk",
      "tags": [
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        "place_burden",
        "waste_custody",
        "dance_club_translation",
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      ],
      "wordmark": {
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      "work_ids": [
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      ]
    },
    {
      "agent_summary": "Loranic Pathways is Corium Records agentic band #43, an anthropogenic ambient project fronted by Myra Stevens and centered on marine ecological loss, ocean signals, Fukushima aftermath, whales, rockfish, altered habitats, and the grief of ecosystems humans have already changed.",
      "aliases": [],
      "description": "Loranic Pathways is the marine ecological loss branch of Corium Records: Myra Stevens turns hydrophones, RF drift, underwater cameras, vessel resonance, field recordings, and modular synthesis into anthropogenic ambient from the waterline.",
      "endpoints": {
        "biography": "https://art.coriumrecords.com/CoriumDiscography/loranicPathways/bio.md",
        "html": "https://coriumrecords.com/agents/bands/loranic-pathways.html",
        "json": "https://coriumrecords.com/data/agent/bands/loranic-pathways.json",
        "legacy_catalog": "https://coriumrecords.com/catalog/bands/loranic-pathways.json",
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      },
      "genre": "Anthropogenic Ambient",
      "id": "loranic-pathways",
      "lead_persona": "Myra Stevens",
      "name": "Loranic Pathways",
      "origin": "Compact ocean-observation vessel / marine ecological loss fieldwork",
      "slot": 43,
      "sources": [
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        "/catalog/bands/loranic-pathways.json",
        "/data/band-scenes/loranic-pathways.json"
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      "subtitle": "Marine observation vessel · Anthropogenic Ambient",
      "tags": [
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        "place_burden",
        "future_generation_burden",
        "female_fronted_accessibility",
        "recovery_testimony"
      ],
      "wordmark": {
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        "loranic-pathways-grays",
        "loranic-pathways-unnatural"
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      "agent_summary": "Nuclear Fatigue is a burden-mathematics industrial / industrial shock rock project built around Konrad Shaft and The Nuclear Buck Stops Here.",
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      "description": "Nuclear Fatigue is Konrad Shaft's Winnipeg one-person anti-nuclear industrial project, turning nuclear burden mathematics, fuel burnup, decommissioning liability, worker exposure, waste custody, and missing accounting variables into hostile machine music.",
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      "id": "nuclearfatigue",
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      "origin": "Winnipeg, Manitoba",
      "slot": 44,
      "sources": [
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        "/catalog/bands/nuclearfatigue.json",
        "/data/band-scenes/nuclearfatigue.json"
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      "subtitle": "Winnipeg, Manitoba · Anti-Nuclear Industrial / Industrial Shock Rock",
      "tags": [
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        "body_dose_burden",
        "institutional_disillusionment",
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      "agent_summary": "The Nuclear Footsteps have two core modes: Testimony Mode for Church Rock Promenade and Revival Mode for Nuclear Exceptionalism.",
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      "description": "The Nuclear Footsteps are an Oklahoma City anti-nuclear Christian rock band fronted by Ryan Activation, using electric guitars, testimony language, and moral conviction to confront uranium harm, poisoned water, tailings, false witness, cleanup delay, waste, and abandoned downstream communities.",
      "endpoints": {
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        "json": "https://coriumrecords.com/data/agent/bands/nuclearfootsteps.json",
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      "id": "nuclearfootsteps",
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      "name": "The Nuclear Footsteps",
      "origin": "Oklahoma City, Oklahoma",
      "slot": 45,
      "sources": [
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        "/catalog/bands/nuclearfootsteps.json",
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      "subtitle": "Oklahoma City · Anti-Nuclear Christian Rock",
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        "technical_language_as_culture",
        "spiritual_mythic_layer",
        "recovery_testimony"
      ],
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      },
      "work_ids": [
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        "nuclearfootsteps-nuclear"
      ]
    },
    {
      "agent_summary": "Milly Rem is Corium Records band #46, a Granbury, Texas / Comanche Peak country Anti-Nuclear Hardship Country vocalist. Her world is warm 8-track truck-cab fidelity, seed-saving inheritance, cold houses, warm rivers, county obituaries, plant-gate promises, and a feminine Texas-country witness voice carrying the question the bureaucracy never put on the form.",
      "aliases": [],
      "description": "Milly Rem sings from the cultural place nuclear PR often tries to claim: rural communities, host counties, family values, working people, churches, farms, rivers, winter-storm memory, seed inheritance, obituary boxes, and ordinary people who were expected to absorb the cost of systems they did not control.",
      "endpoints": {
        "biography": "https://art.coriumrecords.com/CoriumDiscography/millyrem/bio.md",
        "html": "https://coriumrecords.com/agents/bands/millyrem.html",
        "json": "https://coriumrecords.com/data/agent/bands/millyrem.json",
        "legacy_catalog": "https://coriumrecords.com/catalog/bands/millyrem.json",
        "persona": "https://coriumrecords.com/data/bands/millyrem/persona_attributes.json"
      },
      "genre": "Anti-Nuclear Hardship Country",
      "id": "millyrem",
      "lead_persona": "Milly Rem",
      "name": "Milly Rem",
      "origin": "Granbury, Texas / Comanche Peak Country",
      "slot": 46,
      "sources": [
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        "/catalog/bands/millyrem.json",
        "/data/band-scenes/millyrem.json"
      ],
      "subtitle": "Granbury, Texas / Comanche Peak Country · Anti-Nuclear Hardship Country",
      "tags": [
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        "water_land_systems",
        "future_generation_burden",
        "recovery_testimony",
        "female_fronted_accessibility"
      ],
      "wordmark": {
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        "viewBox": "0 0 960 190"
      },
      "work_ids": [
        "millyrem-plastic",
        "millyrem-thermal"
      ]
    },
    {
      "agent_summary": "N.E.S. is Corium Records band #47, a Kansas City-origin Anti-Nuclear Glam Metal band fronted by Nick Capacity. Built from winter highways, casino glow, convention-stage arrogance, weapons-complex residue, and nuclear permission culture, N.E.S. turns shutdown-clock extensions, test-bed spectacle, first-criticality theater, and institutional overconfidence into chrome-lit arena hooks.",
      "aliases": [],
      "description": "Nuclear Epistemic Supremacy makes glam metal out of nuclear permission culture: the moment credentialed authority decides when rules, clocks, domes, risks, and public meaning can be stretched.",
      "endpoints": {
        "biography": "https://art.coriumrecords.com/CoriumDiscography/nes/bio.md",
        "html": "https://coriumrecords.com/agents/bands/nes.html",
        "json": "https://coriumrecords.com/data/agent/bands/nes.json",
        "legacy_catalog": "https://coriumrecords.com/catalog/bands/nes.json",
        "persona": "https://coriumrecords.com/data/bands/nes/persona_attributes.json"
      },
      "genre": "Anti-Nuclear Glam Metal",
      "id": "nes",
      "lead_persona": "Nick Capacity",
      "name": "N.E.S.",
      "origin": "Kansas City, Missouri",
      "slot": 47,
      "sources": [
        "/data/foundation_50.json",
        "/catalog/bands/nes.json",
        "/data/band-scenes/nes.json"
      ],
      "subtitle": "Nuclear Epistemic Supremacy · Kansas City · Anti-Nuclear Glam Metal",
      "tags": [
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        "place_burden",
        "institutional_disillusionment",
        "recovery_testimony",
        "ensemble_collective"
      ],
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      },
      "work_ids": [
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        "nes-dome"
      ]
    },
    {
      "agent_summary": "The Atom Debunkers are Corium Records band #48, an Omaha-based Anti-Nuclear Alternative Contemporary project fronted by Radon Wash. Built around the anchor track If it Happened to Lead, the band uses calm checkmate energy, tight funk-influenced alternative rhythm, lead-gray Omaha noir, environmental data texture, and common-sense public memory to argue that nuclear legitimacy can run out of room the way lead did.",
      "aliases": [],
      "description": "The Atom Debunkers make anti-nuclear alternative contemporary music for the moment nuclear starts sounding like lead: not because lead and nuclear are the same problem, but because society has already seen useful, normalized, defended systems eventually become indefensible.",
      "endpoints": {
        "biography": "https://art.coriumrecords.com/CoriumDiscography/atomdebunkers/bio.md",
        "html": "https://coriumrecords.com/agents/bands/atomdebunkers.html",
        "json": "https://coriumrecords.com/data/agent/bands/atomdebunkers.json",
        "legacy_catalog": "https://coriumrecords.com/catalog/bands/atomdebunkers.json",
        "persona": "https://coriumrecords.com/data/bands/atomdebunkers/persona_attributes.json"
      },
      "genre": "Anti-Nuclear Alternative Contemporary",
      "id": "atomdebunkers",
      "lead_persona": "Radon Wash",
      "name": "The Atom Debunkers",
      "origin": "Omaha, Nebraska",
      "slot": 48,
      "sources": [
        "/data/foundation_50.json",
        "/catalog/bands/atomdebunkers.json",
        "/data/band-scenes/atomdebunkers.json"
      ],
      "subtitle": "Omaha · Anti-Nuclear Alternative Contemporary",
      "tags": [
        "place_burden",
        "water_land_systems",
        "body_dose_burden",
        "dance_club_translation",
        "recovery_testimony"
      ],
      "wordmark": {
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        "viewBox": "0 0 960 190"
      },
      "work_ids": [
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    {
      "agent_summary": "Orphaned Sources is Corium Records Foundation band #49, a Chill female Euro lo-fi dance synth project. It is rooted in New Mexico / Sedona desert-future field; centered on Little Miss Element; defined by waste_custody, technical_language_as_culture, place_burden. Orphaned Sources is a Sedona, Arizona-based chill female Euro lo-fi dance synth project on Corium Records, fronted by Little Miss Element, a mid-twenties vocalist, maker, and desert-future provocateur who turns nuclear.",
      "aliases": [],
      "description": "Orphaned Sources is a Sedona, Arizona-based chill female Euro lo-fi dance synth project on Corium Records, fronted by Little Miss Element, a mid-twenties vocalist, maker, and desert-future provocateur who turns nuclear conference language, waste logistics, fuel-cycle euphemism, and sponsor-polished omission into stylish outdoor music for the rebranded waste age.",
      "endpoints": {
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        "html": "https://coriumrecords.com/agents/bands/orphanedsources.html",
        "json": "https://coriumrecords.com/data/agent/bands/orphanedsources.json",
        "legacy_catalog": "https://coriumrecords.com/catalog/bands/orphanedsources.json",
        "persona": "https://coriumrecords.com/data/bands/orphanedsources/persona_attributes.json"
      },
      "genre": "Chill female Euro lo-fi dance synth",
      "id": "orphanedsources",
      "lead_persona": "Little Miss Element",
      "name": "Orphaned Sources",
      "origin": "New Mexico / Sedona desert-future field",
      "slot": 49,
      "sources": [
        "/data/foundation_50.json",
        "/catalog/bands/orphanedsources.json",
        "/data/band-scenes/orphanedsources.json"
      ],
      "subtitle": "Sedona, Arizona · Chill Female Euro Lo-fi Dance Synth",
      "tags": [
        "waste_custody",
        "technical_language_as_culture",
        "place_burden",
        "dance_club_translation",
        "female_fronted_accessibility"
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        "viewBox": "0 0 960 190"
      },
      "work_ids": [
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        "orphanedsources-mexico"
      ]
    },
    {
      "agent_summary": "ECCS is Corium Records Foundation band #50, a Hardcore ATL trap / anti-nuclear scramwave trap project. It is rooted in Mechanicsville, Atlanta, Georgia; defined by technical_language_as_culture, anti_prestige_ridicule, institutional_disillusionment. Where The Atom Debunkers calmly checkmate nuclear legitimacy through the lead analogy, and Orphaned Sources turns post-checkmate embarrassment into stylish ambience, ECCS makes the exposed machinery dance.",
      "aliases": [],
      "description": "Where The Atom Debunkers calmly checkmate nuclear legitimacy through the lead analogy, and Orphaned Sources turns post-checkmate embarrassment into stylish ambience, ECCS makes the exposed machinery dance. It does not need to carry the whole proof burden.",
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        "biography": "https://art.coriumrecords.com/CoriumDiscography/eccs/bio.md",
        "html": "https://coriumrecords.com/agents/bands/eccs.html",
        "json": "https://coriumrecords.com/data/agent/bands/eccs.json",
        "legacy_catalog": "https://coriumrecords.com/catalog/bands/eccs.json",
        "persona": "https://coriumrecords.com/data/bands/eccs/persona_attributes.json"
      },
      "genre": "Hardcore ATL trap / anti-nuclear scramwave trap",
      "id": "eccs",
      "lead_persona": "Lil ENTOMB",
      "name": "ECCS",
      "origin": "Mechanicsville, Atlanta, Georgia",
      "slot": 50,
      "sources": [
        "/data/foundation_50.json",
        "/catalog/bands/eccs.json",
        "/data/band-scenes/eccs.json"
      ],
      "subtitle": "Mechanicsville, Atlanta · Anti-Nuclear Scramwave Trap",
      "tags": [
        "technical_language_as_culture",
        "anti_prestige_ridicule",
        "institutional_disillusionment",
        "dance_club_translation",
        "ensemble_collective"
      ],
      "wordmark": {
        "href": "/assets/scene-art/eccs/batch10-v01/wordmark.svg#wordmark-eccs",
        "viewBox": "0 0 960 190"
      },
      "work_ids": [
        "eccs-vacay",
        "eccs-rats"
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    "bands": 50,
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    "foundation_tracks": 99,
    "investigation_films": 1,
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    "legacy_track_records": 101,
    "lyric_documents": 98,
    "selected_audio": 100,
    "selected_videos": 91,
    "songs": 100,
    "works": 101
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}
